OLD MASTER Antique Prints engraved from the 16th-19th Centuries
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Please allow this page to fully load BEFORE clicking on Pictures for super size Images Copperplate Engravings after the Old Masters engraved by Bernard Picart and other 17th/18th century engravers including Publius Vergilius Maro's AENEID ROMES' EPIC POEM These Prints are 300 year old Copperplate Engravings printed on laid paper with chain lines approx.1.5 inch apart and engraved by various Old Master Engravers during the late 1690s and published circa 1702 they are wonderful examples of the 17th century book illustrater's art.The texture and "black and white" nature of the engravings are excellent, generally of the finest quality they measure approx 12 x 8 ins and are generally in very good to excellent condition. Publius Vergilius Maro (also known by the Anglicised forms of his name as Virgil or Vergil) (October 15, 70 BCE – September 21, 19 BCE) was a classical Roman poet, best known for three major works—the Bucolics (or Eclogues), the Georgics and the Aeneid—although several minor poems are also attributed to him. The son of a farmer, Virgil came to be regarded as one of Rome's greatest poets; his Aeneid is Rome's national epic. Johannes Kip (1653 - 1722) was a Dutch draughtsman, engraver and print dealer who was briefly a pupil of Bastiaen Stopendaal (1636-1707), 1668 – 1670, before setting up on his own; his earliest dated engravings are from 1672. After producing works for the court of William of Orange in Amsterdam, Kip followed William and Mary to London and settled in St. John's Street Westminster, where he conducted a thriving printselling business. He also worked for various London publishers producing engravings after such artists as Francis Barlow (c. 1626-1704) and Caius Gabriel Cibber (1630-1700), largely for book illustrations. |
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master1 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. PAN ET SIRINX after Nicolas Poussin (size of image to plate mark 11 x 8 inches.) Excellent , dated circa 1818 £75 |
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master2 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. ORPHEE TUE PAR LES BACCANTES after Nicolas Poussin (size of image to plate mark 12.5 x 8 inches) Excellent , dated circa 1818 £115 |
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master3 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. NICOLAS POUSSIN Excellent , dated circa 1818 £75 on hold |
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master4 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. Richard Earlom after LE FAGE, Silenus, Satyrs, Bacchanalian orgy Plate 1, 35 x 11 cms. Excellent , dated circa 1818 £55 |
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master5 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. Richard Earlom after LE FAGE, Silenus, Satyrs, Bacchanalian orgy Plate 2 , 35 x 11 cms. Excellent , dated circa 1818. £55 |
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master6 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. LE GUIDE, ST ROC (size of image 5 x 7 inches) Excellent , dated circa 1818. £75 |
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master7 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. LE GUIDE, VENUS (size of image to plate mark 7.5 x 9.25 inches) Excellent , dated circa 1818. £75 |
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master8 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. ANNIBAL CARACHE (size of image to plate mark 11.5 x 9 inches) Excellent , dated circa 1818. £75 |
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master9 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. SALVATOR ROSA, Glaucus and Scyla Excellent , dated circa 1818. £75 on hold |
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master10 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. DE LE SUEUR, La Parnasse (size of image to plate mark 8.25 x 6.25 inches) Excellent , dated circa 1818. £75 |
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master11 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. CHARLES LE BRUN (size of image to plate mark 11.25 x 8.5 inches) Excellent , dated circa 1818. £75 |
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master12 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. CHARLES LE BRUN (size of image to plate mark 15.50 x 8 inches) Excellent , dated circa 1818. £75 |
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master13 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. CHARLES LE BRUN (size of image to plate mark 15.50 x 8 inches) Excellent , dated circa 1818. £75 |
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master14 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. After REMBRANDT Excellent , dated circa 1818.(now cleaned without loss of sanguine) £75 |
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master15 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. After REMBRANDT Excellent , dated circa 1818.(now cleaned without loss of sanguine) £125 Pair |
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master16 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. After CANGIAGE Excellent , dated circa 1818. £75 |
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master17 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. After CANGIAGE Excellent , dated circa 1818. £75 |
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master18 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. After DOMINICAIN (Domenico Zampieri, 1581-1641), Excellent , dated circa 1818. £75 |
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master19 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. After PIETRE TESTI Excellent , dated circa 1818. £75 |
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master21 These copperplate engravings from Richard Blome's Principles of Philosophy (Renate des Cartes) designed and drawn by G Freman, printed by Samuel Roycroft and published in London circa 1694 Engraved by Johannes Kip measuring 6 x 10.5 on small folio pages. £65 |
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master22 These copperplate engravings from Richard Blome's Principles of Philosophy (Renate des Cartes) designed and drawn by G Freman, printed by Samuel Roycroft and published in London circa 1694 Engraved by Johannes Kip measuring 6 x 10.5 on small folio pages. £65 |
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master23 These copperplate engravings from Richard Blome's Principles of Philosophy (Renate des Cartes) designed and drawn by G Freman, printed by Samuel Roycroft and published in London circa 1694 Engraved by Johannes Kip measuring 6 x 10.5 on small folio pages. £65 |
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master24 These copperplate engravings from Richard Blome's Principles of Philosophy (Renate des Cartes) designed and drawn by G Freman, printed by Samuel Roycroft and published in London circa 1694 Engraved by Johannes Kip measuring 6 x 10.5 on small folio pages. £65 |
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master25 These copperplate engravings from Richard Blome's Principles of Philosophy (Renate des Cartes) designed and drawn by G Freman, printed by Samuel Roycroft and published in London circa 1694 Engraved by Johannes Kip measuring 6 x 10.5 on small folio pages. £65 |
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master26 These copperplate engravings from Richard Blome's Principles of Philosophy (Renate des Cartes) designed and drawn by G Freman, printed by Samuel Roycroft and published in London circa 1694 Engraved by Johannes Kip measuring 6 x 10.5 on small folio pages. £65 |
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master27 These copperplate engravings from Richard Blome's Principles of Philosophy (Renate des Cartes) designed and drawn by G Freman, printed by Samuel Roycroft and published in London circa 1694 Engraved by Johannes Kip measuring 6 x 10.5 on small folio pages. £65 |
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master28 These copperplate engravings from Richard Blome's Principles of Philosophy (Renate des Cartes) designed and drawn by G Freman, printed by Samuel Roycroft and published in London circa 1694 Engraved by Johannes Kip measuring 6 x 10.5 on small folio pages. £65 |
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master29 These copperplate engravings from Richard Blome's Principles of Philosophy (Renate des Cartes) designed and drawn by G Freman, printed by Samuel Roycroft and published in London circa 1694 Engraved by Johannes Kip measuring 6 x 10.5 on small folio pages. £65 |
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master20 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. After CIRUS FERUS, LES DANAIDES Excellent , dated circa 1818. £85 |
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master30 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. After LOUIS CARACHE, HOLY FAMILY Excellent , dated circa 1818. £120 |
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master31 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. After Du PALM, TARQUIN RAPING LUCRETIA Excellent , dated circa 1818. £65 |
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master32 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. After TINTORETTO, MARY MAGDELAINE WASHES JESUS' FEET Excellent , dated circa 1818. £95 |
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master33 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. After RAPHAEL, SATYRS ETC, BACCHANALIAN ORGY Excellent , dated circa 1818. £115 |
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master34 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. Designed & engraved by Bernard Picart, MALE FIGURE STUDIES Excellent , dated circa 1818. £95 |
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master35 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. Designed & engraved by Bernard Picart, MALE FIGURE STUDIES Excellent , dated circa 1818. £95 |
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master36 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. Designed & engraved by Bernard Picart, MALE FIGURE STUDIES Excellent , dated circa 1818. £95 |
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master37 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. Designed & engraved by Bernard Picart, MALE FIGURE STUDIES Excellent , dated circa 1818. £95 |
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master38 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. Designed & engraved by Bernard Picart, MALE FIGURE STUDIES Excellent , dated circa 1818. £95 |
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master39 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. Designed & engraved by Bernard Picart, MALE FIGURE STUDIES Excellent , dated circa 1818. £95 |
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master40 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. Designed & engraved by Bernard Picart, MALE FIGURE STUDIES Excellent , dated circa 1818. £95 |
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master41 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. Designed & engraved by Bernard Picart, FEMALE FIGURE DESCENDING FROM THE CLOUDS Excellent , dated circa 1818. £85 |
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master42 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. After RAPHAEL Excellent , dated circa 1818. £75 |
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master43 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. After RAPHAEL Excellent , dated circa 1818. £65 |
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master44 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. After RAPHAEL Excellent , dated circa 1818. £120 |
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master45 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. After RAPHAEL Excellent , dated circa 1818. £120 |
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master46 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. After RAPHAEL Excellent , dated circa 1818. £75 |
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master47 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. After RAPHAEL Excellent , dated circa 1818. £75 |
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master48 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. After RAPHAEL Excellent , dated circa 1818. £65 |
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master49 The copper plates for thes exquisite "sanguine"engravings were made circa 1730 by Bernard Picart and these plates were used for this later printing by Boydell circa 1818 (paper watermarked). Even so they have retained their sharpness and overal quality. After LE GUIDE Excellent , dated circa 1818. £65 |
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master50 MELLAN, CLAUDE (23 May 1598 – 9 March 1688) was a French engraver and painter. Mellan was born in Abbeville. Among the leading engravers of his time, he is best known for his numerous portraits as well as for his engraving technique of using parallel lines of varying thickness, rather than the more traditional technique of using crossing lines of equal thickness. He lived in Rome from 1624 until 1636. He died in Paris. This engraving of the Madonna and child is thought to have been engraved between 1639-1659 and is in excellent condition, see large scan. EXCELLENT £1400 |
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omv1 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London Excellent late 18th century. £25-£32 Hollars at the higher price. |
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omv2 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London Excellent late 18th century. £25-£32 Hollars at the higher price. |
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omv6 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London Excellent late 18th century. £25-£32 Hollars at the higher price. |
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omv7 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London Excellent late 18th century. £25-£32 Hollars at the higher price. |
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omv8 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London Excellent late 18th century. £25-£32 Hollars at the higher price. |
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omv10 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London Excellent late 18th century. £25-£32 Hollars at the higher price. |
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omv12 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London Excellent late 18th century. £25-£32 Hollars at the higher price. |
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omv13 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London All Black and white in Excellent condition £25-£32 Hollars at the higher price. |
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omv14 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London All Black and white in Excellent condition £25-£32 Hollars at the higher price. |
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omv15 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London All Black and white in Excellent condition £25-£32 Hollars at the higher price. |
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omv16 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London All Black and white in Excellent condition £25-£32 Hollars at the higher price. |
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omv17 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London All Black and white in Excellent condition £25-£32 Hollars at the higher price. |
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omv18 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London All Black and white in Excellent condition £25-£32 Hollars at the higher price. |
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omv20 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London All Black and white in Excellent condition |
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omv22 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London All Black and white in Excellent condition £25-£32 Hollars at the higher price. |
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omv23 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London All Black and white in Excellent condition £25-£32 Hollars at the higher price. |
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omv24 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London All Black and white in Excellent condition £25-£32 Hollars at the higher price. |
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omv26 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London All Black and white in Excellent condition £25-£32 Hollars at the higher price. |
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omv27 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London All Black and white in Excellent condition £25-£32 Hollars at the higher price. |
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omv28 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London All Black and white in Excellent condition £25-£32 Hollars at the higher price. |
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omv29 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London £25-£32 Hollars at the higher price. |
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omv30 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London All Black and white in Excellent condition £25-£32 Hollars at the higher price. sold |
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omv31 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London All Black and white in Excellent condition £25-£32 Hollars at the higher price. |
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omv32 Printed 1698 for Dryden second edition at Jacob Tonsons Fleet street London All Black and white in Excellent condition £45 |
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telemachus1 Charles Monnet 1732-1808, Copperplate Engraving TELEMACHUS , SHIPWRECK published by Kennedy London 1777 engraved by Wm Walker and measure 7 x 9.5 to plate mark In excellent original condition on chain lined laid paper £48 |
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telemachus2 Charles Monnet 1732-1808, Copperplate Engraving MINERVA PROTECTING TELEMACHUS AND PRESERVING HIM FROM THE SHAFTS OF LOVE published by Kennedy London 1777 engraved by Wm Walker and measure 7 x 9.5 to plate mark In excellent original condition on chain lined laid paper £68 |
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telemachus3 Charles Monnet 1732-1808, Copperplate Engraving TELEMACHUS & PYGMALIAN published by Kennedy London 1777 engraved by Wm Walker and measure 7 x 9.5 to plate mark In excellent original condition on chain lined laid paper £48 |
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telemachus4 Charles Monnet 1732-1808, Copperplate Engraving TELEMACHUS DEPARTS FROM EGYPT published by Kennedy London 1777 engraved by Wm Walker and measure 7 x 9.5 to plate mark In excellent original condition on chain lined laid paper £68 |
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telemachus5 Charles Monnet 1732-1808, Copperplate Engraving IDOMENEUS STOPPED FROM KILLING HIMSELF published by Kennedy London 1777 engraved by Wm Walker and measure 7 x 9.5 to plate mark In excellent original condition on chain lined laid paper £48 |
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telemachus6 Charles Monnet 1732-1808, Copperplate Engraving TELEMACHUS ENTREATS HAZAEL published by Kennedy London 1777 engraved by Wm Walker and measure 7 x 9.5 to plate mark In excellent original condition on chain lined laid paper £48 |
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hercules1 CERBERUS CHAINED BY HERCULES Copperplate Engraving, Eisen engraved by Wm Walker,published by Kennedy London 1777 and measures 6 x 8 inches In excellent original condition on chain lined laid paper £65 |
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hercules2 HECULES OVERCOMES ANTAEUS Copperplate Engraving, Eisen engraved by Wm Walker,published by Kennedy London 1777 and measures 6 x 8 inches In excellent original condition on chain lined laid paper £65 |
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